Ballwall
Wiedeman films a person tossing a ball against a wall. Filmed from two angles, the viewer sees the person from front and back as he bounces to catch each toss. The videos are projected onto opposing walls, mirroring the split perspective.
Damian Yanessa
Alexandria, VA
Network
Yanessa maps interior spaces, in this case a cube, with mono-filament. The string is lit from inside, highlighting its sense of architecture and depth. [amie - we're trying to find an alternative space so that Yanessa can install his work in a site-specific manner rather than inserting the built cube as you see here.)
Arielle Angel
Spartanburg, SC
Marquee Paintings
Angel paints marquee signs - neon signs that display messages like "No Vacancy". Angel adds her on spin to these messages in light. At first, her paintings appear to be photographs but on closer inspection, one sees her brushwork. These would be installed in one of the storefront windows, like Richmond Radio.
Clay McGlamory
Norfolk, VA
Mickey D's

Scott Kyle, AIA Leed
InLightWalk

Kyle will embed squares into the sidewalk, which, powered by solar panels, will be lit and provide ambient light for the sidewalk. This is pending funding, the amount of which will determine how many squares are placed. this is being considered a long-term installation - a legacy piece.

Michael Lease
ETWN Richmond Enlighten the White Night Tours
This performance piece will enlighten the audience to the pre-First Friday history of the Broad Street corridor. ETWN will conduct walking tours throughout the night that highlight people, events, activities and businesses that have shaped these particular blocks.
Amy Glengary Yang
Washington, DC
Phosphorflock

Yang’s multi-part light installation features cyanotype drawings mounted in lightboxes. Yang’s work is light-inspired on two levels. The “Phosphor” series combines the cyanotype photographic process with photo-emulsion and vellum stencil silkscreen printing techniques. Yang uses cyanotyping to color and reproduce figurative contour drawings. Instead of negatives, she uses ink drawings on duralar and the solarization process uses the sun’s effect on UV-sensitive paper as proxy for printmaking inks. The sun makes the image. These are then installed in light boxes, which magnifies the role of light.
directed by Diane Cavanaugh
Brilliant Beacons

Tatjana Ginsburg
Santa Barbara, CA
Glimmer
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